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I do think a palette that is chosen has a lot to do with what your style is.
Jacob Collins work is of the brown school and deals mainly with form. His color is local and depends on the form for its value. Monet's palette is of the impressionist school and deals mainly with color and light; ie. form is rendered only as a consequence of the objects chroma vis-a-vis their relative value in a field of light.
Sargent chose, it seems, to have his brush in both worlds.
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