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Originally Posted by Paul Foxton
Sharon, I noticed you use naples yellow and no cadmium yellow, is there a particular property to naples yellow that you like? I found this description on a web site today:
I can't remember ever having tried it, but I thought I might do one painting with it instead of my usual cadmium yellow light just to see.
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Sorry to show up late to this discussion. Paul, was that from the Vasari website? I say this because I have both the Dutch Yellow and the
true Naples from that company and I like them both.
Sharon, I agree with you about Vermillion (I have Michael Harding's on my palette) - much easier to control than Cad Red Light.
I think a lot of contemporary figurative colorists have pumped up the chroma on their palettes because they frequently use warm artificial lights in studio setups (I'm thinking of Robert Liberace and Jeff Watts at the moment).
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