Richard,
I did say glaze but I didn't mean it as painting less apint and more medium but applying a second time around with enough amount of paint. When I paint, I usually take the advice of Morgan Weistling. He emailed me not to use medium as possible because it makes less the tinting power of the paint. I have read also an article from Richard Schmid in the "Artist's Magazine" that the secret on his painting is by not using medium at all. We all know he's known for his ala prima technique. I tried their advice but didn't able to satisfy my works. There's usually something missing, mostly, the juciness of the painting and the power to create good effects.
Lately, I discovered the technique that was shared by some artist in the "International Artist Magazine". It was the technique that you have shared before which is applying a painting medium on the canvas first before painting rather than applying it on the paint. I do this technique and find it alright except when it was dry I get frustrated with the result by not achieving those quality I see in the gallery (especially the brightness and brilliance of a painting that is why i post here asking that technique.)
You said that in glazing, if you apply this it would rather get dry quicker. This I don't understand. I thought that applying more medium would prevent the top layer from getting dry. Can you explain this to me a lil further?
All the information that you shared really helped me alot that's why I am now in the process of experimenting. I am now looking for tiny bottles wherein I can put my mixture of medium in different amount of oil and turp.
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