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Mike,
One could certainly smooth out the paint at the end of the day. I've done that at times. I read that Bouguereau did that too.
However, I guess I just like to cut.
I'm also afraid of losing the freshness and dynamics -- the happy accidents -- if I fuss and blend too much at the end of a session.
Mary,
I haven't painted a portrait outside in years. It just isn't what moves me. I LOVE traditional studio light -- quiet moody light -- that allows me to get powerful values. Outdoor portraits just don't move me. If it does you, that is wonderful. Always follow your feelings. That is what leads to your art.
By the way, I will answer any and all questions anybody may wish to ask. I will check back every day or so and answer questions all at once and thereby try and keep the number of posts to a minimum
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