02-08-2005, 11:11 PM
|
#17
|
Juried Member
Joined: Apr 2004
Location: Los Angeles, CA
Posts: 135
|
Chris
Have you tried working alla prima on this? Is too slick for that. I am intrigued by this seller. Have not heard of them before now and it looks like they all the good linens. Dave Davis.. which Richard (Schmid) uses... interesting.
Tony
Quote:
Originally Posted by Chris Saper
Tony et al,
I have become increasingly enamored with very smooth surfaces. I have also found the Claessen's (and a few others) are too slippery and greasy for me to deal with. Nontheless, I love the very smooth grounds they offer in terms of being able to really get tiny detail.
I now use the www.NewTraditionsartpanels.com , L-600 pretty much all the time. Out of the box, it is way too slick for me. I have (compliments of Rob Howard, www.studioproducts.com) now learned to work a first layer, be it toner or paint, in the Studio Products Underpainting medium. The medium dries almost immediately, and yields a surface that is uniformly matte, and that has a bit of tooth. It prepares a slick surface beautifully for the next coat of paint. I use it as well when I paint in oil, on Wallis paper.
|
__________________
Tony Pro
http://www.tonypro-fineart.com
"ART when really understood is the province of every human being."
-Robert Henri, The Art Spirit
|
|
|
Currently Active Users Viewing this Topic: 1 (0 members and 1 guests)
|
|
Topic Tools |
Search this Topic |
|
|
Display Modes |
Threaded Mode
|
Posting Rules
|
You may not post new threads
You may not post replies
You may not post attachments
You may not edit your posts
HTML code is Off
|
|
|
Similar Topics
|
Thread |
Topic Starter |
Forum |
Replies |
Last Post |
Academic question
|
Tito Champena |
Techniques, Tips, and Tools |
1 |
11-10-2002 12:22 AM |
|
|
|
All times are GMT -4. The time now is 07:12 PM.
|