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12-05-2002, 11:13 AM
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#11
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SOG Member Featured in Int'l Artist
Joined: Sep 2002
Location: Cincinnati, OH
Posts: 1,416
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This shows the bevel of the thumb hole.
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12-05-2002, 11:14 AM
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#12
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SOG Member Featured in Int'l Artist
Joined: Sep 2002
Location: Cincinnati, OH
Posts: 1,416
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The following are the back showing how they "weighted" the palette with extra layers of the thin wood for balance.
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12-05-2002, 11:16 AM
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#13
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SOG Member Featured in Int'l Artist
Joined: Sep 2002
Location: Cincinnati, OH
Posts: 1,416
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The second view.
I think they added 3 extra layers of the wood for the weight, I think it makes the thumb hole a little more comfortable so it isn't a thinner cutting feeling. I may be wrong about that, maybe it is actually the reverse. Ignorance is bliss.
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12-06-2002, 09:32 PM
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#14
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Associate Member
Joined: Oct 2001
Location: West Indies, Caribbean
Posts: 50
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I just took a look at those palettes on-line, my goodness, they are huge!
I started off with a 13.5" x 9.5" oval and a 11.75" x 8.5", hardwood ply, but over the years I have shrunk to an 8" circle.
Now, I'm using a 9.25 x 7.25" oval, and I am painting around 4' x 6' canvas on panels. Must be something in the air.
__________________
Khaimraj
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12-06-2002, 10:40 PM
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#15
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Associate Member
Joined: May 2002
Location: Greenville, NC
Posts: 176
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Boynton palette
I used the Lee Boynton (even though I'm left handed) palette at Peggy Baumgaertner's workshop this past summer. I had never held a palette before, as I lay my palette down while I paint. To watch Peggy paint with her palette is as if they are one. To watch me paint with that very large palette and everything else around me is like watching a bull in a china shop.
I really wish I would /could stand and hold a palette for the "quickness" and seemingly "one with the paint" experience that so many painters seem to have. I just don't feel comfortable holding all that paint, choosing brushes, cleaning constantly and referring back to my notes (hehe) like I do.
Back to the Boynton. It was very nice - the feel, the fit to your body is amazing. The hole for thumb was very nice as well. I didn't pay that much attention to the weighted quality. Probably because I was trying not to whack the person beside me or drop it into a container of mineral spirits.
Good luck with your decisions! Just wanted to share my experience with a beautiful palette I cannot use.
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01-23-2003, 08:44 PM
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#16
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STUDIO & HISTORICAL MODERATOR
Joined: Apr 2002
Location: Southern Pines, NC
Posts: 487
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Boynton palette website update
For anyone interested in the Lee Boynton weighted palette, his website for these products has been changed to www.artpalettes.com
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02-06-2005, 12:14 PM
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#17
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SOG Member Featured in Int'l Artist
Joined: Sep 2002
Location: Cincinnati, OH
Posts: 1,416
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I think it was Chris Saper who posted a picture of Lee Boynton's palette, and I believe it was wood with a shine to the surface.
Does anyone use this? I was going to ask if the finish makes it easier to clean when one isn't attentive enough and the paint is left on for a day.
I need something that is a bit forgiving with out a surface that glares.
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02-06-2005, 12:16 PM
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#18
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SOG Member Featured in Int'l Artist
Joined: Sep 2002
Location: Cincinnati, OH
Posts: 1,416
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The links above do not work or will not take you to the palettes.
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02-06-2005, 02:06 PM
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#19
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SENIOR MODERATOR SOG Member FT Professional, Author '03 Finalist, PSofATL '02 Finalist, PSofATL '02 1st Place, WCSPA '01 Honors, WCSPA Featured in Artists Mag.
Joined: Jun 2001
Location: Arizona
Posts: 2,481
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Beth,
No, I don't have an image of the Boynton palette. I use the Artisan palette, mentioned by Marvin earlier in the thread.
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02-06-2005, 02:41 PM
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#20
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Inactive
Joined: Jan 2002
Location: Siloam Springs, AR
Posts: 911
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Mel Gibson
Lee looks like Mel.
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