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01-18-2008, 12:04 PM
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#1
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Juried Member FT professional, '06 finalist Portrait Society of Canada, '07 finalist Artist's Mag,'07 finalist Int'al Artist Mag.
Joined: Feb 2006
Location: Montreal,Canada
Posts: 475
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"Lorsque parut l'aube aux doigts de rose..."
Hello,
I wish I could have more time participating to the Forum, but...
( I also wish I could have more time to paint, and more time with my children and... well, let's do what we can when we can .)
Here is " Lorsque parut l'aube aux doigts de rose..."
36" x 48", oil.
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01-18-2008, 12:12 PM
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#2
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'06 Artists Mag Finalist, '07 Artists Mag Finalist, ArtKudos Merit Award Winner '08
Joined: Nov 2006
Location: U.K.
Posts: 732
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Lovely, excellent work, Marina. You are really sweeping ahead with your ideas and their execution! Tremendous. Thanks for taking the time to post it.
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01-18-2008, 12:13 PM
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#3
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Juried Member
Joined: Feb 2004
Location: Perris, CA
Posts: 498
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Marina,
What a delicious painting! I really love the composition. The arrangement of the three little figures is perfect, I think. A contemporary painting - obviously, but one that (for me, at least) hearkens back to Bouguereau's sublime compositions - particularly the poses. What a great vision you have!
David
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01-20-2008, 09:25 PM
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#4
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Juried Member FT professional, '06 finalist Portrait Society of Canada, '07 finalist Artist's Mag,'07 finalist Int'al Artist Mag.
Joined: Feb 2006
Location: Montreal,Canada
Posts: 475
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Thanks, Thomasin and David !
I wanted to try a bigger composition with 3 figures and well... it was challenging ! Once I found the arrangement of the figures, the rest followed without too much problems.
I'm glad you like it !
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01-20-2008, 10:54 PM
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#5
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UNVEILINGS MODERATOR Juried Member
Joined: May 2005
Location: Narberth, PA
Posts: 2,485
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"When the dawn seemed to the fingers (petals?) of the rose???????"
Help, please translate, Marina! I don't know French and I'm curious to know the title.
I love this composition. You've painted the three little figures with your usual combination of intensity, wisdom and cherubic innocence. The idea of using a baby or small child as a vehicle for imparting ideas and archetypes is brilliant. I also like the way you have conveyed a feeling (for me) of time confusion. Is that Greek lettering on the torn-off posters? That and the graffiti on the cement seem to imply a time in the distant future. There is a bleakness to the world as if a great civilization has been wiped out, but there is a new possibility of beginning.
Even if you have only a limited time to work, it seems that you are producing a string of masterpieces.
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01-20-2008, 11:38 PM
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#6
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Juried Member
Joined: Apr 2006
Location: Jacksonville, FL
Posts: 27
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Marina,
This is really beautiful. I love the composition and the figures. Excellent.
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01-21-2008, 07:45 PM
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#7
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Associate Member SoCal-ASOPA Founder FT Professional
Joined: Sep 2002
Location: Laguna Hills, CA
Posts: 1,395
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Ah what a treat to see this new post! Beautiful as always and I especially like the nifty trompe d'oleil with your signature on it.
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01-31-2008, 12:07 AM
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#8
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CAFE & BUSINESS MODERATOR SOG Member FT Professional
Joined: Jul 2001
Location: Seattle, WA
Posts: 3,460
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Once again you knock my socks off! I'm running out of superlatives to describe your work, Marina. This one is my favorite so far.
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02-01-2008, 10:27 AM
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#9
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Juried Member FT professional, '06 finalist Portrait Society of Canada, '07 finalist Artist's Mag,'07 finalist Int'al Artist Mag.
Joined: Feb 2006
Location: Montreal,Canada
Posts: 475
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Sharon and Michele : thanks for your kind comments !
I didn't know Maxfield Parrish, his work worth a look ! I also sometimes bild some cardboard structures to see the light and the shadows .
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01-25-2008, 07:52 PM
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#10
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Juried Member
Joined: Mar 2004
Location: 8543-dk Hornslet, Denmark
Posts: 1,642
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Marina, I like it too.
Poetry is the flowering of language and often brings inspiration to painters.
Homer talked about "The vineblue sea around Crete", a title I used for a watercolor of the tempestuous sea at the south of Crete.
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