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04-15-2005, 08:17 PM
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#1
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Juried Member FT Professional
Joined: Feb 2002
Location: Gaithersburg, Maryland
Posts: 698
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Oil of youngest son
Hi all! Been busy, but I did this oil this week and thought I would post it for your critique. It is a risky painting, with the lighting and all. I wanted a high contrast setup for a flashy kind of guy. I photographed it in my studio with a single light source.
20" x 16"
Close ups to follow.
Thanks
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04-15-2005, 08:48 PM
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#2
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Juried Member FT Professional
Joined: Feb 2002
Location: Gaithersburg, Maryland
Posts: 698
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Close up of eyes
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04-15-2005, 08:51 PM
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#3
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Juried Member FT Professional
Joined: Feb 2002
Location: Gaithersburg, Maryland
Posts: 698
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Close of mouth
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04-15-2005, 08:53 PM
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#4
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Juried Member FT Professional
Joined: Feb 2002
Location: Gaithersburg, Maryland
Posts: 698
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Reference photo
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04-15-2005, 09:50 PM
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#5
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Associate Member
Joined: Mar 2004
Location: Missoula, MT
Posts: 45
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In other posts you admitted that you usually project your photo when you paint portraits. This one looks wonderfully painterly. Did you project this one as well?
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04-15-2005, 10:10 PM
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#6
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Juried Member FT Professional
Joined: Feb 2002
Location: Gaithersburg, Maryland
Posts: 698
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Yes.
Hi, Jen! Thanks! Yes, I admit it. I actually print out a black and white, full canvas-sized, tiled image and transfer it with graphite paper. I like that better than an overhead projector. I don't usually tell my clients that, but I don't have to prove to myself that I can draw.
Even, still, with a transfer, just as with a brushed drawing on the raw canvas, you have to use your eye as the image gets blurred out with the initial paint. I pretty much destroy the layout as I throw the pain on.
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