02-09-2004, 10:40 AM
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#1
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Juried Member FT Professional 10 yrs '05 Artists Mag
Joined: Jul 2003
Location: The Netherlands
Posts: 178
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Oil Sketch on Watercolor Paper
All of this talk recently about paper has infected me as well. Below is a demonstration of an oil sketch of my daughter Eva at 4
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02-09-2004, 11:38 AM
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#2
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Juried Member FT Professional 10 yrs '05 Artists Mag
Joined: Jul 2003
Location: The Netherlands
Posts: 178
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I
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02-09-2004, 11:41 AM
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#3
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Juried Member FT Professional 10 yrs '05 Artists Mag
Joined: Jul 2003
Location: The Netherlands
Posts: 178
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Working from a reference photo, the drawing is blocked in using burnt umber and developed until the contrast is dark and strong.
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02-09-2004, 11:48 AM
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#4
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Juried Member FT Professional 10 yrs '05 Artists Mag
Joined: Jul 2003
Location: The Netherlands
Posts: 178
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If I were painting a more formal portrait I
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02-09-2004, 11:51 AM
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#5
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Juried Member FT Professional 10 yrs '05 Artists Mag
Joined: Jul 2003
Location: The Netherlands
Posts: 178
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Before I start
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02-09-2004, 11:54 AM
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#6
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Juried Member FT Professional 10 yrs '05 Artists Mag
Joined: Jul 2003
Location: The Netherlands
Posts: 178
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Building up the dry underdrawing in white is the most difficult and time consuming stage of the portrait. In this case, I
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02-09-2004, 02:29 PM
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#7
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Juried Member FT Professional 10 yrs '05 Artists Mag
Joined: Jul 2003
Location: The Netherlands
Posts: 178
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If I were a teacher I
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02-09-2004, 02:32 PM
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#8
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Juried Member FT Professional 10 yrs '05 Artists Mag
Joined: Jul 2003
Location: The Netherlands
Posts: 178
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Rembrandt used very thick lead-based white paint ground to his specifications at the local molenaar (miller). I
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02-09-2004, 02:34 PM
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#9
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Juried Member FT Professional 10 yrs '05 Artists Mag
Joined: Jul 2003
Location: The Netherlands
Posts: 178
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While I
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02-09-2004, 02:36 PM
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#10
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Juried Member FT Professional 10 yrs '05 Artists Mag
Joined: Jul 2003
Location: The Netherlands
Posts: 178
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Looking carefully at my daughter from life, (it
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