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07-29-2008, 07:22 PM
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#1
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SENIOR MODERATOR SOG Member FT Professional, Author '03 Finalist, PSofATL '02 Finalist, PSofATL '02 1st Place, WCSPA '01 Honors, WCSPA Featured in Artists Mag.
Joined: Jun 2001
Location: Arizona
Posts: 2,481
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Innerglow panel/Torrit Grey entry
Hard to know where best to post this  This is my Torrit Grey entry,
"Woman in White" 15 x 12 on an Innerglow Panel, given to me by my sculptor friend, Julie.
This is my first time using the panel, and I have to say it is a gorgeous surface. You can read about the construction of the panels on the link, but they are thick, heavy, and both sides can be painted. The surface is VERY smooth, and permits a lot of subtlety in paint handling.
After several experiments with the Torrit grey, I revised my approach - I'll post more info on the demo thread when I get a moment.
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07-29-2008, 07:53 PM
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#2
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'09 Third Place PSOA Ohio Chapter Competition
Joined: Aug 2003
Location: Cleveland, OH
Posts: 1,483
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Beautiful, Chris. Does it take a long time for the paint to dry between sessions? Or did you accomplish this lovely painting alla prima?
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07-29-2008, 08:00 PM
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#3
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SENIOR MODERATOR SOG Member FT Professional, Author '03 Finalist, PSofATL '02 Finalist, PSofATL '02 1st Place, WCSPA '01 Honors, WCSPA Featured in Artists Mag.
Joined: Jun 2001
Location: Arizona
Posts: 2,481
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LOL, no many layers - I learned to respect that Torrit Grey, and did a toning layer, a drawing layer, a background layer, then several modeling layers.
All my layers dry fairly quickly because I use Maroger and flake.
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07-29-2008, 09:49 PM
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#4
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Juried Member
Joined: May 2004
Location: Phoenix, Arizona
Posts: 281
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composition and more
Shoot! No entry from me. Your composition is dynamite and the whole painting is spectacular. Kudos!
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08-03-2008, 10:55 AM
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#5
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'06 Artists Mag Finalist, '07 Artists Mag Finalist, ArtKudos Merit Award Winner '08
Joined: Nov 2006
Location: U.K.
Posts: 732
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I like the way you have a point to using black, white a grey - they are very meaningful to the composition, and not just a coloured painting desaturated. And also how you keep the paint from going chalky. I am working on my entry right now, and it is very hard to adjust my mind not to sculpt the form with reflected warm and cold light.
Great painting, Chris.
By the way, how do the prove that the entries are actually grey, and not just photoshopped coloured works?
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08-03-2008, 11:35 AM
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#6
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PAINTING PORTRAITS FROM LIFE MODERATOR FT Professional
Joined: Nov 2001
Location: Loveland, CO
Posts: 846
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Chris I really like this! The warmth of the canvas underneath adds a very nice counterpoint to the grey. I have interest in doing one of these, but I cannot find a tube of Torrit at any of my local art stores. One last place to check today.
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08-03-2008, 05:47 PM
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#7
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Juried Member
Joined: Nov 2003
Location: Signal Mountain, TN
Posts: 352
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Chris, that is simply gorgeous. Did you tone the panel with Torrit Grey, or something else. It seems so much warmer.
Is that your lovely daughter? If so, dang she's growing up fast.
Regarding the panel - I read this on the site:
"The painting surface itself is a specially developed product, which is laminated to the wooden surface. The result is a smooth, acid free, rigid surface that is extremely compatible and binding with all types of artists
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08-03-2008, 05:48 PM
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#8
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Juried Member
Joined: Nov 2003
Location: Signal Mountain, TN
Posts: 352
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Quote:
Originally Posted by Thomasin Dewhurst
By the way, how do the prove that the entries are actually grey, and not just photoshopped coloured works?
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I wondered that, as well. I suppose you could take a color photo of yourself next to your painting....
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