Liberty

[Julianne Lowman]

How do I handle the backlight here? It is so strong, but I love the effect. This was shot with a digital camera, so I can really manipulate the image. The dress will have a rose colored ribbon across the lower bodice seam.

[Julianne Lowman]

Here's another photo from a later session. We are going for a classical look, but I feel her expression is a bit blah.

[Steven Sweeney]

I'd re-shoot. That impossibly glaring backlighting is going to be a fright. Even if you could capture it in paint (and you can't -- no one could), you wouldn't want to.

Figure out, too, some way to make this interesting for the subject. Tickle her or tell a joke or promise a visit to a fave place afterwards. She's so dour that I think you'll have to varnish this one with pickle juice.

Your portrait won't be of light, but "of the light" and its effect on the subject. Right now, that light background is completely overwhelming the portrait subject. Figure out a scheme in which the light is there solely to enhance the subject, and lends a range of value and color temperature to the portrayal.

[Julianne Lowman]

Steven, I so appreciate your comments. Your perspective and knowledge is one I truly value.

We did do some outdoor photos just to loosen her up, but the overall desired look was not achieved. Luckily the model doesn't mind getting dressed up and having her photo taken, maybe the third time's the charm. This is a painting for classic technique and not one for commission, so I'm not as stressed as if I were being paid.

How did the subjects of the 18th century accomplish such a look of repose in children?

[Mike McCarty]

Julianne,

You might try setting up the line of your shot to be more perpendicular to the light source (window). Your light source would then be out of frame to the right or left.

You then may need some means of getting additional light back into the shadowed side either by use of a reflector or some artificial light source.

[Cynthia Daniel]

I must admit that I'd love to see a version with that long dress flowing and the harp!

[Karin Wells]

I wouldn't bother to reshoot. I love the first shot you posted. Just darken the background when you paint this.