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08-02-2002, 11:25 PM
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#1
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SENIOR MODERATOR SOG Member FT Professional, Author '03 Finalist, PSofATL '02 Finalist, PSofATL '02 1st Place, WCSPA '01 Honors, WCSPA Featured in Artists Mag.
Joined: Jun 2001
Location: Arizona
Posts: 2,481
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"Valjean, Study in Charcoal"
Charcoal and white NuPastel on Strathmore, 16 x12.
One of three portraits (others are in pastel, same pose, and oil, different pose, 3/4 figure) I have done of the actor Robert Chernak, in his role as Jean Valjean in Les Miserables. A fantastic actor with a glorious voice, this image, I thought, captured his portrayal of the world-weary Valjean.
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08-02-2002, 11:31 PM
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#2
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Juried Member
Joined: Jan 2002
Location: Colton, OR
Posts: 62
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Beautiful!
__________________
"Art is ever changing. I too find myself in that momentum of change, exploring my successes and failures. Rather remaining stagnant and uninspired, I am complelled to continue to re-invent myself." ...L
David Leopoldo Benavidez
www.leopoldoart.com
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08-03-2002, 06:39 AM
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#3
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Associate Member
Joined: Feb 2002
Location: New York
Posts: 46
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Dear Chris,
Your work inspires me...lovely. geri
p. s. Please post the others.
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08-03-2002, 01:01 PM
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#4
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PHOTOGRAPHY MODERATOR SOG Member '03 Finalist Taos SOPA '03 HonMen SoCal ASOPA '03 Finalist SoCal ASOPA '04 Finalist Taos SOPA
Joined: Dec 2001
Location: Tulsa, Oklahoma
Posts: 2,674
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Chris,
This is just beautiful. I like the placement of the subject on the paper and the use of the toned paper within the piece. It is toned isn't it? The light green maybe?
__________________
Mike McCarty
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08-04-2002, 09:41 PM
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#5
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Juried Member
Joined: Apr 2002
Location: Binghamton, NY
Posts: 247
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Yes, very nicely done. I too like the use of the toned paper.
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08-05-2002, 11:27 PM
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#6
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SENIOR MODERATOR SOG Member FT Professional, Author '03 Finalist, PSofATL '02 Finalist, PSofATL '02 1st Place, WCSPA '01 Honors, WCSPA Featured in Artists Mag.
Joined: Jun 2001
Location: Arizona
Posts: 2,481
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Thank you, all. Yes, the paper is Canson's "Sand", which is gray with a pronounced warm green cast to it.
One of the things I have learned in this process is to complete the charcoal (at least 99%), and to use fixative BEFORE pulling out the highlights with the NuPastel. The fixative seems to cause the white to evaporate, so that it needs to be restated anyway.
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10-01-2002, 10:22 PM
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#7
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SOG Member Featured in Int'l Artist
Joined: Sep 2002
Location: Cincinnati, OH
Posts: 1,416
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Beautiful! How many teachers or years did it take you Chris to get such an understanding of value and color? Are you more left brain? Incredible!
I'll be seeing Mr. Valjean, Friday night.
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10-02-2002, 12:47 AM
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#8
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SENIOR MODERATOR SOG Member FT Professional, Author '03 Finalist, PSofATL '02 Finalist, PSofATL '02 1st Place, WCSPA '01 Honors, WCSPA Featured in Artists Mag.
Joined: Jun 2001
Location: Arizona
Posts: 2,481
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Thanks, Beth.
I've been seriously working at portraiture for about twelve years. I truly work every day on gaining a better understanding of value and color, and how they constantly relate throughout the painting. I am so very fortunate to have found some wonderful teachers, all here at the Scottsdale Artist's School!
Regarding left brain, probably an equal split, as I spent seventeen years in healthcare strategic planning and quantitative analysis. I always thought it was intellectually similar to portrait painting, but I am not sure my boss could really see my point.
Thank you again, and enjoy the play!
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