One of my better works.

[Judson Eneas]

This is one of my better paintings. What critique can you give of this?

[Julie Deane]

Hi Judson,

Can you post the original photo?

[Judson Eneas]

No. The owner of the original photo has the original photo.

[Michele Rushworth]

It seems that you've taken on a very difficult challenge, working from what must have been a photo with flat lighting (probably flash). You'll find much greater success working from photo reference that is taken with natural light, especially light that's not frontal.

As a start you might want to practice drawing simple monochromatic forms in three dimensions before tackling such challenging subjects. Rendering three dimensional shapes as they turn in the light, mastering symmetry, etc. are all essential skills for an artist to perfect.

[Cindy Procious]

Originally Posted by Judson Eneas

This is one of my better paintings. What critique can you give of this?

Alright, Judson. Now we're getting there.

This is a very delicate handling of your subject. Nicely rendered careful drawing, and sensitive touches with the darks. You have a tendency to overstate the darks and the transitions in your work - I don't see that in this piece (except maybe a tiny bit around her mouth...).

I like how you observe the planes of the figure. Your style is evolving into something very pleasing - if you keep after this - you will definitely mature into a solid figurative painter. I don't think you want to strive for traditional portraiture - rather, pursue this unique style that almost approaches impressionism. (In that, I mean that you paint flat shapes that when put together, create the depth. Almost like a puzzle.)

Good job! I like this very much.

[Sharon Knettell]

Judson,

I would have to agree strongly with Michele. It seems as if your reference is very weak and not suitable for interpretation as a portrait as it looks like a photo studio shot.

As I have mentioned to you before, you should really sharpen your drawing skills in black and white before you try to work in color. A very good basic beginner's book is "How to Paint Living Portraits". by Roberta Carter Clark, a North Light book.

You should also look to attend some figure or portrait drawing classes, many schools and universities offer evening classes.

Continuing to work only from photography and substandard reference will severly impede your progess toward your goal of being a portrait artist.

[Judson Eneas]

I am excellent at drawing the human figure. It's painting from photographs that I have problems with.

[Cindy Procious]

Originally Posted by Judson Eneas

I am excellent at drawing the human figure. It's painting from photographs that I have problems with.

And modest, too.

Have you posted any of your drawings, Judson? Enquiring minds want to know....

[Sharon Knettell]

Originally Posted by Judson Eneas

I am excellent at drawing the human figure. It's painting from photographs that I have problems with.

Judson,

I have seen your drawings. They do not prove your point. Photographs are easier to work from than life.

Read the book I suggested, practice the exercises and take some classes. After many years of hard work and intensive study, then you may consider posting again. You have not even mastered the basics.

It is a very competitive field, make sure you are ready.

[Judson Eneas]

Here are examples of my drawings, life drawings if you are interested.