Julian

[Alexandra Tyng]

Julian, oil on linen, 40" x 30"

This is of my son, in his usual attire. Not exactly a formal portrait.

[Chris Saper]

Beautiful, Alex! The simple shapes and value scheme create a commanding composition, beautiful brushwork, too -

[Garth Herrick]

Beautiful Alex!

As Chris expresses, there is something commanding and powerful in Julian's pose amplified by the chair and setting, and something very penetrating too. It reminds me of several equally penetrating portraits by Thomas Eakins in the Philadelphia Museum of Art. Commendable!

Garth

[Bianca Berends]

Great lighting! I really like the pose, it compliments his age and what he is wearing.

[Alexandra Tyng]

Thank you, Chris, Garth and Bianca!

The pose was partially my son's idea. We tried several variations and this seemed to be the most interesting. I had a lot of doubt about leaving the space at the top. I haven't really left something empty like that, yet the particular pose and the mood created by the pose and expression seemed to call for it. When I blocked out the top with my hand, he looked crowded, somehow, and the painting was weaker. Garth was over at my studio one day and helped convince me to leave the space!

[Tom Edgerton]

This is a strong, strong work.

You're right about the weight of the canvas at the top. There's something about it that has atmosphere and weight that continues down into the shoulders and arms. Interesting that a "void" like that could have such emotional presence.

[Carlos Ygoa]

Beautiful work, Alex!

I like the design of the painting, the way you fitted in the figure and the chair into that space. I am glad Garth helped convince you to leave the space --
Lovely technique as usual, and as expected from you. I especially like the handling of the face, hair and clothes.

What a fine piece to start the year with!

[Allan Rahbek]

It's great, Alex!!

The pose would do for a strong sculpture as well because the space within and around him is so telling.

[Alexandra Tyng]

Thank you, Tom, Carlos, and Allan!

Tom, it thrills me that you use the word strong to describe this work. I feel very happy about that. And I am so glad you think the empty space works.

Carlos, I'm pleased that you, too, like the spatial arrangement. As for starting the New Year, I can tell you it feels great to be back working on portraits after spending the greater part of this year, and some of last year, working on landscapes. Now that my show is hung I am going to go back to painting people for a while!

Allan, thank you for that thought about the three-dimensional space. As I was setting up the pose I was reminded a little of Rodin's sculpture, The Thinker.

[Claudemir Bonfim]

Another great piece Alex.