Vasco
 

Hi again ! :)

I just finished this portrait of a little boy, Vasco, and I would like to have some critics from you.

This was done inspired on a very nice article about underpainting writen by Michael Georges, in WetCanvas. Thanks Michael!

See you soon. Thanks for your time.
Rui.

Oh well, thanks anyway.

Maybe next time! :)
R.

Rui,

The little boy has a very sweet expression that you conveyed well. I I agree with Michelle - the painting definitely has an old photo feel about it.
The highlights in the face seem to be have washed out the face-( this may partly be the photo of the painting?) I think it would also help to soften the teeth a little. On the left side of his face there is either a reflection from the photo or the face goes in a little - I am not sure which.

How do you like working with an underpainting first?

Hi Rui,

In addition to his sweet expression, there's a lot of life shining in his eyes. I like tilt of his head contrary to the direction of his shoulders, it adds to the character of the portrait.. I would check the shape of the back of his head - maybe in the photo his hair is sticking out a little at the top, but it makes his head look a little pointy. Also perhaps soften the hair line across the top of his head on our right hand side. You could also soften the edges at the bottom of his ear and adjoining cheek.

I think this would be a difficult photo to paint from, as the frontal lighting doesn't give much shadow indication to portray form from. I think you'd be more successful if you used photographs with a single light source coming from the top and side. There's lots of information on this here on the forum. I think you conveyed his spirit well, and if you combine that with a good source photo, you'll create wonderful paintings.

Cheers,

Holly

Hi Jane:
It was my first time using a verdaccio, but am quite pleased, eager and excited to develope this technique. It helps so much on getting a good/perfect likeness on a portrait.

Holly: he really has a