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The Trumpet
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Oil on canvas, 24x18
This is a portrait of my nephew. All critiques gratefully accepted. Digital demonstration OK. |
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Chuck,
Well, now we |
Steven,
Many thanks for your critique. I will be working on making those changes that are achievable with this painting. I have to confess to taking the reference myself, so I have no one to blame for the pose and composition but myself. It seems a recurring problem with composition in my paintings to make things too squared-off, losing dynamism, and blocking rather than inviting. Maybe I'm thinking too much like an engineer. I would greatly appreciate any advice or suggestion of resources on the fundamentals of composition. |
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I'll follow up on the question about composition, but in the interim, you might consult the "Composition" section of the Forum, in the area called "The Portrait". |
As a recovering IBM Systems Engineer, in one of my former lives, I understand what you mean, Chuck. I fit into that job like a round peg in a square hole...
Anyway, as to composition: angles and curves create dynamism, straight line horizontals and verticals create stability. In a nutshell, if you want to liven up your paintings you should try and pose people and things in arrangements with bold angles or curves. |
Apologies for something very confusing in my critique, owing to an omission of a few words. I wrote:
"... there is for example a very marked value difference between the boy |
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After being interrupted by moving to a new home, I've gotten back to this painting. It is still in progress; I particularly want to work more on the trumpet and hands. I thought I would post it now so people can run up, waving their hands, shouting, "No, no! You're going the wrong way!"
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A portrait is a painting with something wrong with the mouth -- Sargent
I worked quite a bit on the mouth; it's closer, but not there yet. Any suggestions?
And it was only after posting the image that I realized how pink his face had gotten. |
Finished
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Here is the finished painting.
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