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-   -   Portrait of Sharon, 24" x 20", Pastel (http://portraitartistforum.com/showthread.php?t=2413)

Sergio Ostroverhy 03-06-2003 12:15 PM

Portrait of Sharon, 24" x 20", Pastel
 
1 Attachment(s)
Welcome everybody.

I'm new to the Forum, so am sorry if my post does not fit the requirements...

Title: Portrait of Sharon
Measures: 65/50cm (20" x 24")
Medium: pastel/paper
Source: after life model
Notice: a preparatory study for oil

Josef Sy 03-06-2003 12:30 PM

Bravo
 
Sergio, Very nice portrait. Bravo!

Nathan Cremer 03-06-2003 01:45 PM

Very nice work!
 
I just wanted to know what kind of paper and pastels you used. And, also, how do you get such sharp detail from your pastels? Again, very nice work!

Sergio Ostroverhy 03-06-2003 01:54 PM

Paper: Canson Mi-Teinte
Pastel: pastel pencils "Faber Castell"

Sharp edges: yeah... just sharpen your pastel pencils with a cutter

Linda Ciallelo 03-06-2003 11:31 PM

This is beautiful! I love the intensity of her expression. She has a little frown that says that she is a bit stressed. Lovely light, lines, and color. Excellent work!

Enzie Shahmiri 03-06-2003 11:45 PM

Sergio,

It's nice to have you on board. Your work is very strong and I like the juxtaposition of extreme detail in the faces vs. the unfinished feel of the torso. Very interesting approach. Looking forward to seeing more.

Elizabeth Schott 03-07-2003 12:20 AM

Sergio, this one is wonderful! Wow! :thumbsup:

Jean Kelly 03-08-2003 02:35 PM

Skin texture
 
Sergio, There is a detail somewhere here showing her skin texture. I'd like to know how you are applying the pastel to achieve such a "peach skin" texture. Beautiful.

Jean

Jeff Fuchs 03-08-2003 04:33 PM

Beautiful work. I can't add to what has already been said, but I have to say, I was blown away.


Very, very nice.

Sergio Ostroverhy 03-16-2003 01:05 PM

1 Attachment(s)
Thanks for the replies.

Here are the details. The secret of that work is in these things: first, the passionate participation of the model by believing in the success; second, I sharpen extremely well my pastel pencils; and third, the very careful use of the cold / warm contrast.

I think this point is the most important even if it is appearing to be as easy... the texture of the skin is obtained by several levels of the pastel on a very small surface treatment


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