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Using photos and relying on them for only source for paintings.
I have been reading the posts about photo critiques as well as painting critiques. And I have found that a lot of you seem to feel if you copy your reference photo accurately, that is enough to have an accurate portrait.
I hate to break the news, but cameras lie! Photographic distortion is a very common problem, and without doing an accurate sketch from life, you will copy it to your painting. You can minimize the distortion by standing back far enough and using a 80 mm |
Dear Michael,
I also read the photo resource and painting critiques, but I have to say I don't interpret them at all in the same way you do. To the contrary, I think there is an overall recognition of the problems inherent in photographs, and I see that the comments are largely designed to be helpful in avoiding their pitfalls. When a poster asks for help, it is often in the area of likeness, and the only possible way any of us might be able to help is to look at the resource photo to do so. Respectfully, |
Michael,
I agree, there are inherent flaws in photos - things like hard edges, areas of focus, colors, distortion, loss of details in shadows, etc. It is important to be able to look at your photos and recognize the flaws and work them out. |
Maybe I was too harsh
Well, Chris and Michael, I may have been somewhat harsh in my post. But Michael, you say
Quote:
Chris, I did not mean that all those posting are just copying photos but some sure seem like they are to me. I did not mean to say that we should not use photos but just that it should be looked at as just one step after planning out a composition. I have used photos, and do all the time, to capture reference to work from when my model is not there, or to capture a detail on location that I want to work on later in the studio. Photos are great for this. This is just my opinion that it is much better to learn to paint from life first, then use photos later as a tool to help. Once you learn to paint from life, then you can look at a photo and see the flaws and not copy them. There is no substitute for painting from life, and I see too many paintings being posted that are obviously from those still learning to paint, who are painting from a photo and using that photo as their layout for composition, reference for color and lighting. I strongly advise that those wanting to learn to draw and paint figures and portraits start painting from life first. Or at least spend some time drawing from life. I know that not everyone lives where a model session is available. Check around - you might be surprised to find that there are open life drawing sessions available in your area. If there are any colleges in your area, check with them first. There might be a independent art school. Also, check with the local art community to see if you might organize one. You might be surprised that there are others in your area that would love to join you and will help cover that cost of the model. Yes, getting a likeness is very important in portrait work but learning to draw and paint first will make getting that likeness much easier. I guess the advice that I wanted to give had less to do with using photos and more to do with painting and its goal. And the best quote I have ever read was in the forewword of Everett R. Kinstler's book. It was: Quote:
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