Whitney Nields
 

Whitney Nields
Oil on linen 24" x 20"

Detail...

Lettering detail...

Karin,

Is this exquisite lady related to the other Nields portrait?

Can you describe the rapport that is needed when working with your clients and portrait subjects? :)

I love the softness of the facial features and the reflected lights. I would also love to see the detail of the hand.

The composition is very interesting. It's as if you were counter-balancing the shape of the head with the shape of the fan. I must admit the empty space behind bothers me a little.

Why do you write the subject's name on your canvas? I find that intriguing.

Thanks for sharing this painting with us.

Here is a detail of the hand and drape.

Yes they are related, Whitney is Zabie's younger sister.

I letter names onto the portraits if the clients wish me to do so.

This is beautiful! Her face is so soft and I too like the reflected light. The client must be so pleased. I especially like how you handled the satin material - so realistic.

Would have loved to seen the underpainting for this. If you ever get the chance on your next portrait and you are so inclined to share the underpainting, I would love to see it.

Thanks for sharing.

Whitney Nields
 

I too find the space behind a bit disturbing. Also, I have been wanting to ask you about the calligraphy in your portraits. How is this received by your clients? I find it appealing. May I use this idea as well? Or, would I stand to be labeled as a copy cat?

Whitney Nields
 

Sorry, I didn't see the second page of this string. Is this a completed work? Somehow, I get the feeling that this is incomplete. The contrast the flesh areas is not in tune with the surrounding clothes. I feel that there is darker areas between the hands and the shoulder and arm. The contrast of Whitney doesn't agree with the clothes. The clothes appear to be more finished. I hope that I'm not being too critical. I like your work. It's just that, to me, this portrait falls short of your previous pieces.

Karin, It's beautiful and I'm glad you posted a few details of this painting. I see a whitish-touch of violet layer that gives her a luminous look. How do you achieve this and at what point do you apply this layer?

Just a kindly reminder that this is the Unveilings section rather than Critiques section.

I don't see what you could have done to make this more beautiful and appealing. It is really lovely. I am a fan. Humblest praises.

Beautiful!
 

Karin, this is absolutely exquisite. The close up of the face really shows the beauty and detail of this painting.

Joan

ooops.... My apologies, Karen. Regards.

Don't know how I missed this, but I did.

This is really fantastic Karin! Bravo! You have a wonderful way of pose and lighting - not to mention technique. :)

Timeless beauty! Karin, you are amazing... Your signature technique insures a happy client, and her family for generations to come.

Karin,

I have never seen a painting of yours that I didn't think was fantastic! You are truly a master at your craft. To thee I kneel!

Karen,

I love the softness of your work! Whenever I see a new post from you, I have to open it to see what is next. You truly give meaning to the saying, "Lose an edge, gain a thou (thousand)..."

Keep inspiring us all!