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-   -   The Wood Carver (http://portraitartistforum.com/showthread.php?t=7072)

John Reidy 05-15-2006 05:41 PM

The Wood Carver
 
1 Attachment(s)
Attached is a portrait of my brother-in-law. He is retired from the State Department and has his own business as a Western Cowboy Carichature wood carver. He has quite a following and his carvings are based on much research with a little humor. He has a website, I believe it is outwestgallery.com.

This portrait is from a photograph he took of himself. You might be able to see the remote in his left hand between his forefinger and thumb. I was struck by a natural composition that the photograph suggested, so I changed a few things in their arrangement and through the painting adjusted the focus on hom and his hand, creating a natural field of interest. My other goal was to create some depth. I have shown it to my brother-in-law and he is very happy with it. I hope you all are as well.

It measures 38"H x 34"W and is oil on stretched linen.

I'm not very happy with the image posted. I will try to post some close-ups to help.

I've edited this to update a better image.

Kimberly Dow 05-15-2006 06:15 PM

John, I love this! It has such a great narrative feel to it. I dont know that Ive ever seena plaid shirt I liked in a painting, but this looks great.

John Reidy 05-15-2006 06:17 PM

1 Attachment(s)
Here is a close up of the subject but it is still a poor representation. It is @ 72 dpi, 1 compression jpeg, 400 x 536 pixels.

I have edited this to post a better version, same size and format but compressed at a 5 level.

John Reidy 05-15-2006 06:22 PM

1 Attachment(s)
And one of his head. I wish these images were clearer. Can anyone help?

I have added a new version here, too.

John Reidy 05-15-2006 06:27 PM

1 Attachment(s)
And one of his hands.

John Reidy 05-15-2006 06:59 PM

I removed this post since I edited the first picture

Alexandra Tyng 05-15-2006 09:05 PM

John,

I really like this one! I guess I relate to it personally because I like painting people in their natural surroundings. You really see the environment as an extension of your father-in-law. He' s enclosed by his work area (nice angles!) but it does not feel claustrophobic. I like how you included the details (but not too many) of his wood carving business. Each one is well-placed and the whole has a natural rather than contrived look: "real life" rather than "stage set." Congratulations on a fine piece.

Steven Sweeney 05-15-2006 11:00 PM

John,

Great painting, super job on the figure and the flesh tones, drawing, and gesture.

If this happens to be the piece you wanted comment on in terms of focus, double post it in that thread. The Unveilings area isn't available for that kind of input.

Claudemir Bonfim 05-16-2006 03:23 PM

Great painting John.

Dianne Gardner 05-29-2006 10:29 PM

Wow, John this is incredible! Such detail. I thought it was the photograph. Excellent.

Dianne

John Reidy 05-29-2006 10:55 PM

Thank you Kim, Alex, Steve, Claudemir and Dianne,

I didn't think I would be able to thank all of you for your generous remarks but Dianne resurrected the post and gave me this opportunity. Another thanks to you, Dianne.

Mischa Milosevic 05-30-2006 05:30 AM

John this is awesome! Sure the details and the drawing is all there but it is the values that do it for me. Grate job! Bay the way, amongst other things, I too like the way you represented the shirt.

Sincere regards,
mischa

John Reidy 05-30-2006 04:36 PM

Thank you Mischa,

I appreciate all of the nice comments. When I saw the photograph I knew that the shirt was one of those things that would make it or break it. I'm happy that so many have made such positive remarks.

Thanks again.

Pat Graham 07-15-2006 09:17 PM

John, this piece seems to have an appealing, limited palette feel to it. Am I correct? I could look at it for a long time (in fact, I did!)

Pat

John Reidy 07-18-2006 12:54 AM

Pat,

You're correct, it is a limited pallette. It is the pallette developed by Marvin Mattelson and consists of earth tones, 4 strings of color - a grey string, a yellow string, a warm red string and a cool red string. These are for flesh tones which I use primarily for the overall painting rounding out the pallette with other colors as needed such as blue.

You can find many posts on Marvin's pallette here in the forum.

Thanks for your kind words.

Grethe Angen 03-17-2007 07:22 PM

Hello John,
Congratulations. the joy of creating is evident both by the subject and the artist, wonderful.

John Reidy 03-17-2007 11:57 PM

Thank you Gretha,

You are correct about the joy of creating. Today I delivered a small portrait and the response from the subject and her husband was very moving. I swear that if I didn't need the money I'd do it just for the sheer joy.

Thanks for looking.


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