Recent work
 

Jessie and Bunny
Oil on Linen, 24" x 20"

Jessie and Bunny face detail

Karen
 

It is breathtaking as usual!

Bravo!
 

Wonderful, Karin. Simply wonderful.

When I praised Cynthia for the great notion of creating such a category as "Unveilings", she was quick to allow that the idea was yours.

What a super, inaugural work. I am inspired!

Beautiful Karin! I think you should enter it in the next portrait society competition!

Dear Karen,

What an exquisite piece. I am particularly excited by the cool skin tones and lovely color harmony. The cool reds work so well with the almost greenish cast in the eyes and brows, it is a visual treat. I feel that I could place my hand on this child's face, and know just what it would feel like.

Beautifully done!

Chris

Oh!!!!!
Tremendously beautiful!

Above all, detail-photo helps my study of painting.
Colours, strokes...

Thank you, Karin.:)

Beautiful Karin!!!!

I think you should take over the title of "painter of light";)

The whole painting is wonderful and Jessie's glowing, soft skin is inspiring.

Karin:

A wonderful work. Truly inspiring! I like how you frame all your pieces when you shoot them.

Breathtaking!

Karin,

I would like to encourage you, and any future unveilings, to "unveil" some background related to the painting.

For example, who is this delightful child? How did you come to paint her? How long did you work on it?

Another beautiful work
 

Karin

Beautiful piece of work, I like that. Cool tones.

Do you mind if I ask you to give me a close-up look of the copy of Ingres that you have, which is "Francois Marius Granet"

Abdi

Karin,

At the risk of being redundant I too was absolutely smitten with the face and delighted to see the colors you employed. I hope all that strive to find "perfect flesh tones" will learn and appreciate the broad range of possibilities and the excitment generated by this distinctive portrait. WOW!

Can't say I liked the pillows as well.

Thanks,

Jim Riley

Karin,

You are truly a modern master. The painting is exquisite. I especially like the way you handled the collar--such delicate value changes.

Kyle

Karin,

I've always admired Bouguereau's work. I wondered if he influenced your work. I noticed the face has that same porcelain glow to the skin. I'm extremely jealous. What an accomplishment. Bravo!

Karin,

Beautiful! Absolutely beautiful!!

This is what I would call a 'gutsy' painting. Meaning that to use such a deep red in the background right around the girl, then using such cool and pale colors in her face... I wouldn't have had the guts to do that, but then again, I've got a long way to go to get to where you are.

What went into your decision-making process to choose this color scheme? Was your reference material this way? Did the subject bring the idea out of you? Please enlighten me to your thought process on this.

Thanks,
Brian

Karin, I just discovered this thread.

She's gorgeous! That porcelain look is also present in Vermeer's faces.

Can I come over and take some lessons? :D

Renee

Karin,

You are truly an inspiration to me! If I could paint half as good as you, I would be a happy gal! Okay, you must tell me how long it took you to do this...I am curious! I have seen alot of your work on your web site, and would be curious to know what the time frame for these beautiful pieces of art is! Do you paint wet on wet or do you let the layers dry in between? I would love to get some pointers from you! This portrait is precious!

Thank you for your kind words.

It is really hard to say how long it takes me to paint a picture. Sometimes there are long drying times between layers. Sometimes I get stuck and turn the painting to the wall and don't look at if for months at a time while I work on other paintings. When I take on a commission, I tell the client not to expect it for at least a year...

I work in many layers (on a dry surface). My website has a technical info. section for other artists and various posts here on the forum pretty much explain how I paint.

Like yearbook signing
 

Karin, the creative part of me was dying to say something original, like when we used to sign yearbooks in school. I think I'm too late so I'll just say ditto...what they said!!

WOW! :o Incredible work! So beautiful!

Helen (feeling even more like a 'newbie' now)

Karin: Beautiful, especially the interesting color choice for the background...words can't describe the look of the skin...precious. Thanks, Patsy

Karin, this is really beautiful...some paintings, you can just sit and stare at, feeling relaxed and comfortable....this is one of them! You should of put this process on video.

Mark Gil

A stroke of genius. Amazing.

I've been really busy but I still find time to get lost in Karin's work.

Just out of curiosity, Karin, may I ask what you used for a background in this painting? Is it velvet?

Rochelle

I used a 50% gray neutral material called "background-in-a-bag" behind Jessie when I did the photo shoot.

It is a fake velvet. I decided to paint it red because I thought the painting needed it.

Karin,

Mike suggested I look at paintings I like on this Forum to help me with my edges! Bingo!

Breathtaking!

It is so beautiful! So inspiring!

Mai