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Sergio,
I like it, it's a very strong portrait and the textures are so rich. Could you tell a bit about the model? Are the Yakut's a Polar tribe? |
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I'm waiting for that fortune since too long to be really interested in it :) As for the competitions, do you think those who judge us are better than we are? Actually I loved your nude paintings, there is something innocent and astonishing in them... Best regards Sergio |
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I like my work. |
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So I gave myself as much time as i needed... The bar was set up not in function of the technique but in function of the emotion which the viewer had to feel meanwhile in front of it. |
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loved your charcoal, sanguine mix very surprising! |
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Your mountain landscapes shows that you have everything a painter need to progress by yourself. (the arch) Technical progression will come by itself with a lot of work and other's advices can sometimes only harm... |
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Loved your lobster! |
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although hard to calculate there are around 4-5 layers on each eye, between each layer 2 days of drying the color tissue of the eye is made with the trembling of my hands... Liked your still life with the mandarins... Sometimes big surfaces are taking away our attention from the essential... :) |
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so that the essence of the model would shine through the painting without being disturbed "by" the painting itself... So I would say, there was basically no work on the texture, the effort was made on a kind of mystical presence of the person in front of you... My brother, when he looked at it, stayed with his mouth open for a few minutes... so surprising was the human (or inhuman) presence of Anna... That picture of my brother glazing with his open mouth (it's very hard to astonish him, he's a phlegmatic lawyer) I think was the best recompense for me from the picture till now... Although I believe that the "Yakut" roots of the model (Yakutia is the land where all the shamans, mammoth bones and diamonds are of Siberia see the attachment of a typical yakut dress) must bring me more unexpected stuff... As for the model... Huh. It's a whole story... Too long to talk about it. |
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