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I can't think of many online demonstrations that would tell you more than ryder's book, but there are some good ones. Jimmie Arroyo posted a hair demo on Wet Canvas. It includes close up scans of his work, which we don't usually see:
http://www.wetcanvas.com/forums/show...hreadid=134738 His technique is the opposite of Ryder's, in that he consistently follows the direction of the hair (with great success). It goes to show you -- there's more than one solution for any problem in art. |
Jimmie is amazing!! But even he makes faces as curly hair!!! I went to my Leonardo daVinci books, especially his letters to his students. He says hair should always cascade like water - in waves...
I could not find a reference of Peggy's son's portrait. Could you point me in the direction? We are talking Peggy Baumgartner?? I went to her website but found no reference. |
Here's the link. I dearly love that portrait. It's very sensitive. It's also a good example of well-drawn hair.
http://www.portraitartist.com/baumga...coal/paul2.htm |
Yeah, I like this one too, very sweet!
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The shape of the head overall is improved, and now there are other adjustments that can be made, some remaining from earlier and some newly introduced. I
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Another late night, I post the results. Almost done? Thank you Steve, Jeff, and Chuck for your help. I did pay attention to all your suggestions. I don't know if I should go darker on the left side in shadow. Every time I do it makes him look heavy. Looking at it just this morning, on my screen I think I need to work on the hair a bit more and the texture and tone of the jacket. This piece is a gift for his son, Jack, who is happy with the portrait at this point, so I am thinking it may be finished. Would still like your opinion.
I am hoping my next portrait will be one of Jimmie Arroyo's models, full lips, huge eyes, STRAIGHT hair!!! |
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A few minor adjustments on shadow side, jacket, tie. It's done and I post it for the last time. I'm not crazy about this one, on to the next with more knowledge for next portrait.
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