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Mike,
Writing from the Caribbean (the other side), this painting brings up the memories of our strong breezes at Mayaro, where kites fly at 90 degree angles. I only wish you had painted more of the young lady and also more of the background. Perhaps some seagrape trees with fruit to run with her natural beauty. |
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Cheers, Steven p. s. Don't worry about disagreeing with me. I spend half my life second-guessing myself, and the other half confused. |
Mike,
I think this is your best painting by far! Renee Price |
Way to go Mike!
I love the light and the why you made it appear. I have some photos I took in the Domincian Republic that I've thought of trying now, after seeing what you've done with that kind of light. Maybe I'll try.
Thanks, Tammy |
I really like this painting, congratulations!
Peter |
Thanks to all who responded.
Your kind remarks have turned what could have been an ordinary five days in tropical paradise with a beautiful woman into something special. |
I forgot to mention for all the environmentalists out there... the Manatee's of Belize are now resting a little easier after my daughter spent 10 days in July trying to make their lives a little easier. She and 7 other students joined a research team off the coast of Belize sponsored by Earthwatch.
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I think you did a wonderful job on this painting. I love the fact that you didn't go too dark in the shadows on the face. I have the opposite problem. My shadows tend to go too dark in the face and then I have to work hard to lighten certain areas.
The girl in your painting looks fresh and natural. Her pose, her hair and her leaning head all suggest the end of a long fun summer day. Keep up the good work! |
Thank you Denise, I am now going to update my bio to include that I have received international acclaim.
I would be interested to hear how your rigid "portrait a day" schedule this summer has worked out. |
Being the disciplined person that I am, I really tried to do a painting a day in the beginning. Then, I realized that I do not have trouble with the drawing or blocking in the first layers. Getting an impressionistic likeness comes easily to me. After a few alla prima paintings, I realized that what I really wanted was to create a more realistic portrait, in other words, I needed to work on the fine tuning.
To gave myself a jumpstart by following a 10 day workshop in Wisconsin with Peggy Baumgaertner. After, I came home and painted for the rest of the summer with live models. I had a great time and I am sure my painting has improved. In shortn the plan didn't quite work out as planned but it worked out fine anyway! :) Thanks for asking! |
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