The Fry Youngsters

[Jim Riley]

Linda,

Here are several examples of the background as well a shirt detail. Unfortunately the many reflections caused by the brush and pallette knife applications required a lot of digital corrections and value balance suffered a bit.

[Mary Sparrow]

Just beautiful. Thank you for the closeups. I am getting ready to do a threesome, so this was a timely portrait for me.

I'm curious though, did you luck out and get a good reference of all three, or did you have to pull from different photos?

[Patricia Joyce]

Wow! What a treat to study this painting. No wonder you got further commissions. Just beautiful, Jim. Thank you for taking the time to post all the close-ups,too.

[Chris Saper]

Jim,

It is always a pleasure to see your rich, painterly work. The note of green in the pillow is ethereal..

[Carol Norton]

Jim, when I first saw your beauriful painting this morning, I was at a loss for words and could only admire it. It is so beautifully done that I had to at least express my admiration upon my return to this site. Thanks so much for sharing it along with the details. It defines the word "awesome".

Carol Norton
PS I was amazed at how inexpensive your work is after visiting your website. Your mastery is way beyond your current prices.

[Elizabeth Schott]

Jim this is wonderful! I too love your painterly style, you can say so much with a little - that is such a talent!

Congratulations, and these kids look like they were wonderful to paint!

[Julie Deane]

Jim, I'm in awe. Beautiful work!

I don't know which face I like better, the young man with the perfectly blended paintstrokes or that 3 or four year old with the perfectly serious expression that they do at that age.

[Jean Kelly]

Jim, I can only echo everyone else's comments. Awesome!

And thanks for the close-ups, I always love to study them.

Jean

[Tom Edgerton]

Jim--

We can always count on you for really solid work that we can learn from. Thanks for posting.

See you in Reston, I hope.--TE

[Jim Riley]

Mary ,
Excuse the slow response to your question about reference photos of the children. It took many photos to arrive at the three used in the final painting. It was particularly difficult to get the rhe youngest to cooperate and yet the the best photo was the one of her used for this painting. I think her face alone would be a great painting.

I took more than a hundred pictures, changes to the background, and I stole the vase from Sargent's painting of the Boit girls.