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02-04-2003, 09:15 PM
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#11
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Associate Member
Joined: Jun 2002
Location: Rochester, NY
Posts: 38
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Tim, good point. Incidently, I have reverted back to simple Gamsol. I spent a week at Incaminati with Nelson Shanks and he advocates wiping out lights with a OMS-soaked rag. I now use a little Artguard (W&N) as a barrier cream and hope for the best. Incidentally, Incaminati has changed my life as a painter.
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02-04-2003, 09:27 PM
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#12
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CAFE & BUSINESS MODERATOR SOG Member FT Professional
Joined: Jul 2001
Location: Seattle, WA
Posts: 3,460
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Chris, do you have contact information for them? I wasn't aware they had already started offering classes. I sent an e-mail via a contact on Nelson Shanks' website and I haven't heard anything back.
Thanks!
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02-05-2003, 12:01 AM
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#13
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PHOTOGRAPHY MODERATOR SOG Member '03 Finalist Taos SOPA '03 HonMen SoCal ASOPA '03 Finalist SoCal ASOPA '04 Finalist Taos SOPA
Joined: Dec 2001
Location: Tulsa, Oklahoma
Posts: 2,674
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Chris,
How about giving us some insight regarding your week at Incaminati. (Maybe another thread)
The application (selection) process, how many students in your class, did you spend much time with N. S.? Do they now have the dormitories? What did your day consist of? What else ...?
__________________
Mike McCarty
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02-05-2003, 12:56 AM
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#14
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STUDIO & HISTORICAL MODERATOR
Joined: Apr 2002
Location: Southern Pines, NC
Posts: 487
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I also tried the email address on Shanks' site, after reading about Incaminati in the December 2002 Portrait Signature, but like Michelle, had no response. Can't seem to find any workable contact, and am very interested, Chris, if you have something like a phone number you could post.
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02-08-2003, 10:46 AM
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#15
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SOG Member '02 Finalist, PSA '01 Merit Award, PSA '99 Finalist, PSA
Joined: Jul 2001
Location: Greensboro, NC
Posts: 819
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Chris--
I worked out my own mixture of Turpenoid Natural and Dawn dishwashing liquid, a 50/50 mix, that's a great end-of-day brush cleaner, and it doesn't cost much--a lot cheaper than commercial artists' soaps. If the paint's a little stiff or hard, I just wet them down and let them soak a while. Works great, and rinses out of the brush well.
Sometimes I put just a spot of mineral spirit in the same mixture to give it a little cutting power, but I'm not as worried about solvents as some folks.
BTW, if you're worried about skin contact, the cheap vinyl gloves hairdressers use are good. Eliminates problems for those sensitive to latex, and they're thin enough that you can still feel what you're doing.
__________________
TomEdgerton.com
"The dream drives the action."
--Thomas Berry, 1999
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02-08-2003, 11:09 AM
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#16
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CAFE & BUSINESS MODERATOR SOG Member FT Professional
Joined: Jul 2001
Location: Seattle, WA
Posts: 3,460
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Incaminati
Here's a phone number for them: 215-592-7910. I hope to take a workshop there in 2004.
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02-08-2003, 12:59 PM
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#17
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Inactive
Joined: Jan 2002
Location: Siloam Springs, AR
Posts: 911
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Brushes
I'm trying to take very good care of my brushes. I have lost too many through lazy or bad behavior in the past. When I clean mine with say, OMS - then use oil soap more color comes off the brush - thus I figure this a good procedure. Furthermore, beware that any "cleaner" you leave on your brush will end up in your painting the next day.
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05-01-2003, 10:09 PM
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#18
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Associate Member
Joined: Jun 2002
Location: Rochester, NY
Posts: 38
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Mike and others, I apologize for not answering sooner. By way of explanation, I have a 1998 iMac that hates the internet. I have not been able to log on since my earlier post. I am currently logged in on my mother-in-law's computer
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05-02-2003, 12:00 AM
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#19
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STUDIO & HISTORICAL MODERATOR
Joined: Apr 2002
Location: Southern Pines, NC
Posts: 487
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Chris, thank you so much for your thoughtful review. I've copied it over to the Atelier section of the Forum, for future reference ease.
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