Charity

[Kimberly Dow]

30x20" on ABS panel.

There is a subtle indication of knees here, but Im not sure it will show up on everyone's computer screens.

There is also a bit more room at the top and bottom of the painting that I clipped off the photo to get it straight.

Thanks for looking!

[Carol Norton]

Oh my...WOW! This knocks my socks off! It truly took my breath away. The power and impact of this painting is ... well ... I love it.

[Claudemir Bonfim]

Hi Kim,
What a great painting! I remember seeing it in progress and it turned out to be a very beautiful work. Congrats!

[Kimberly Dow]

Thanks Carol & Claudemir.

Here is a close up of the face (I see I still need to fiddle with her right eye a bit) - and a shot of the bottom at an angle to give an idea of whats going on down there.

[Janet Kimantas]

Kim, this is amazing. Her fingers look like they're moving, the flatter darks against the beautifully modulated lights (or maybe I ought to say that the other way round) are delicious. And the narrative implications... I could go on and on. I am getting very tired of seeing these wonderful paintings only on my monitor. For two cents I would fly to Texas to see this in person (24 hour blizzard, don't ask). Thanks for showing. Janet

[Chris Saper]

Kim,

So very engaging! I love this painting.

[Linda Brandon]

Kim, everything about this painting really works so well - there's such a sense of mystery and of urgency that grips the viewer. Great paint handling and I love the color scheme, too.

Janet, I had a chance to see two of Kim's paintings in person and they really do glow from within.

[Kimberly Dow]

Thank you ladies!

Janet, I don't mean to rub it in or anything, but it was 70 degrees here yesterday. Come on down!

Linda, your check is in the mail.

[Michele Rushworth]

Wonderful. My favorite of all your paintings so far.

[Julie Deane]

Wow, Kim! I wish I could see it in person too. I love the picture and the closeup has soo many colors and is so beautifully modeled.