Chris,
Good job of covering the question of hard and lost edges. And I agreed with your reference to Schmid's book and the fine examples found within of great edge treatment.
I have attached a water color demo that painted for a figure/portrait class several years ago with the hope of negating the tendency for my near beginner group to outline figures/faces, make all flesh the same hue with light and dark values, and to smooth out each and every brush stroke. Fortunately the likeness was also good and it had some favorable effect on the group. I emphasised that colors, brush strokes, and colors could be exaggerated and even somewhat arbitrary and might make their paintings more interesting without sacrificing likeness.
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