Terri, I think the mouth is perfect now. Nice job! The skin tones are a lot warmer now, too, and look more natural. You can see that she's in the shade but she still looks fresh and lively rather than blue-ish. I still think, comparing your painting to the reference photo, that there need to be more darker pinks on her forehead between her eyes, in the folds under her eyes, and in the darker areas of her cheeks. Some of the value range is missing in those places so she doesn't have the roundness and three-dimensionality that she should.
Also, look at the darkest darks and lightest lights in the hair in your reference photo. There's more of a range there than you have; for instance, the hair on our right (her left) as it comes into the light by her cheek is much lighter than you have it, and there are also more highlights on our left side. Basically it's a value range thing. Adding that contrast will also help to bring her alive and it avoids a flat look.
When I paint, I first block the picture in very loosely, although you can still begin to see the likeness, and I do try to establish my darkest darks and lightest lights but sketchily. You can see how that happens on my process page. I don't know whether that would work for you; personally I would get bored if I had to do a complete monochromatic painting first, but everyone's different. Your struggles with the values and hues in this painting may just be growing pains with oils. The end result is going to be beautiful as usual; I can see that already. I love your subjects and the way you handle them.
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