Portrait Artist Forum    

Go Back   Portrait Artist Forum > Paints, Mediums, Brushes & Grounds
FAQ Community Calendar Today's Posts Search


Reply
 
Topic Tools Search this Topic Display Modes
Old 03-06-2005, 01:25 PM   #1
Jean Kelly Jean Kelly is offline
Associate Member
 
Joined: Sep 2002
Location: Madison, WI
Posts: 1,567
Thickened linseed oil




Hi,

Can I mix walnut oil, thickened linseed, and oms for a workable medium?

I just got thickened linseed oil and wow, is this stuff slick. But too much drag for me, I need to thin it. I've looked up different formulas and most use stand and turps.

Jean
  Reply With Quote
Old 03-06-2005, 02:40 PM   #2
Michael Georges Michael Georges is offline
PAINTING PORTRAITS
FROM LIFE MODERATOR

FT Professional
 
Michael Georges's Avatar
 
Joined: Nov 2001
Location: Loveland, CO
Posts: 846
Jean:

By "thickened" linseed, I assume you are talking about Stand Oil? I think a better medium might incorporate a small amount of a resin (Canada Balsam/Venice Turp) or a varnish (Damar) - for better adhesion. I make a nice medium that incorporates Stand Oil, Canada Balsam, and oil of spike lavender (or turps) that works really nicely.

I don't use OMS or MS in paint, but do use it to clean brushes. I just don't think it mixes with oil paints as well as turpentine or spike.

I know that was not the answer you are looking for, but options are always good to consider...
__________________
Michael Georges
www.fineportraitsinoil.com
Michael's Life Drawing & Painting Blog

Regular and consistent work from life will improve your portraits.
Drawing skills are the foundation of all an artist does.
  Reply With Quote
Old 03-06-2005, 04:48 PM   #3
Jean Kelly Jean Kelly is offline
Associate Member
 
Joined: Sep 2002
Location: Madison, WI
Posts: 1,567
Hi Michael, thank you, this is the kind of info I was looking for.

It's "sun thickened". Is that the same as stand oil? I was trying to stay away from turps, due to the odor. I'll try the oil of spike, sounds interesting with a nicer odor. I have venice turp, so I'll try that instead. What proportions do you use? I love the way the paint looks and feels with the thickened oil, but there is so much drag! And the glazes are wonderful.

Jean
  Reply With Quote
Old 03-06-2005, 06:19 PM   #4
Michael Georges Michael Georges is offline
PAINTING PORTRAITS
FROM LIFE MODERATOR

FT Professional
 
Michael Georges's Avatar
 
Joined: Nov 2001
Location: Loveland, CO
Posts: 846
Sun thickened is partially polymerized, whereas Stand Oil is thickened in the absence of oxygen at temperature.

Try mixing your medium 1 part oil to 1/2 part Venice to 3 parts turps or spike.

I do this with Stand Oil, Canada Balsam and Spike - 1-1-3. I would reduce the amount of resin to 1/2 part if you use Venice Turps over Canada Balsam.

It will be touch dry in about 1.5 - 2 days depending on volume of medium to paint.
__________________
Michael Georges
www.fineportraitsinoil.com
Michael's Life Drawing & Painting Blog

Regular and consistent work from life will improve your portraits.
Drawing skills are the foundation of all an artist does.
  Reply With Quote
Old 03-07-2005, 12:34 AM   #5
Jean Kelly Jean Kelly is offline
Associate Member
 
Joined: Sep 2002
Location: Madison, WI
Posts: 1,567
Thanks Michael,

My carpenter friend is making me mdf panels with the floating supports on the back. Then I'll be gessoing them with different finishes for pastel and oil and trying my hand at applying linen directly to the board. I have about 20 panels coming so it should keep me busy for a while.

This new medium should be fun to work with on the panels, next I'll try Maroger. I'm feeling adventurous again.

Jean
  Reply With Quote
Old 03-07-2005, 01:25 AM   #6
Michael Georges Michael Georges is offline
PAINTING PORTRAITS
FROM LIFE MODERATOR

FT Professional
 
Michael Georges's Avatar
 
Joined: Nov 2001
Location: Loveland, CO
Posts: 846
I absolutely love the Maroger too. It is top notch!
__________________
Michael Georges
www.fineportraitsinoil.com
Michael's Life Drawing & Painting Blog

Regular and consistent work from life will improve your portraits.
Drawing skills are the foundation of all an artist does.
  Reply With Quote
Old 03-10-2005, 03:51 PM   #7
Leslie Bohoss Leslie Bohoss is offline
Associate Member
 
Leslie Bohoss's Avatar
 
Joined: Oct 2002
Location: Germany
Posts: 204
Hi!

Michael,
A question about drying time .
You wrote ca. 1.5- 2 days to touch.. Could you paint over it without any danger?
Can you confirm my experience accordingly to the following layers: they need more and more time to dry, or can happens the next layers destroys some parts on the old one? Is there a test or something to find out when can be do it without this seamy dissolving effect?
(Tested medium: Maroger and your Canada Balsam mix)

Thanks.
  Reply With Quote
Old 03-10-2005, 08:03 PM   #8
Michael Georges Michael Georges is offline
PAINTING PORTRAITS
FROM LIFE MODERATOR

FT Professional
 
Michael Georges's Avatar
 
Joined: Nov 2001
Location: Loveland, CO
Posts: 846
The medium with the spike in it will bite into the underlayers more easily than the Maroger., so you will want to let it dry for a bit longer. I have found that I can usually paint over it again within 2 days with no issues unless I was really scrubbing. Substituting turpentine instead of the spike would make it slightly less volitile, but I wonder about how it might affect the handling properties of the medium. I have only made it with spike thus far.

Maroger is generally touch dry the following day and you can certainly paint over your layers within 24 hours with no real problems.
__________________
Michael Georges
www.fineportraitsinoil.com
Michael's Life Drawing & Painting Blog

Regular and consistent work from life will improve your portraits.
Drawing skills are the foundation of all an artist does.
  Reply With Quote
Old 03-10-2005, 10:18 PM   #9
Chris Saper Chris Saper is offline
SENIOR MODERATOR
SOG Member
FT Professional, Author
'03 Finalist, PSofATL
'02 Finalist, PSofATL
'02 1st Place, WCSPA
'01 Honors, WCSPA
Featured in Artists Mag.
 
Chris Saper's Avatar
 
Joined: Jun 2001
Location: Arizona
Posts: 2,481
Hey, Michael!

In the far reaches of my memory I recall taking a class with ( I think) Sovek - he used stand oil regularly. It leaves a freshly varnished, wet look, but I could not figure out to do a final varnish that wouldn't just bead up. Is this my imagination?
__________________
www.ChrisSaper.com
  Reply With Quote
Old 03-11-2005, 12:39 AM   #10
Jean Kelly Jean Kelly is offline
Associate Member
 
Joined: Sep 2002
Location: Madison, WI
Posts: 1,567
Another question, Michael

How soon can I start using this medium on my painting? I'm talking about the fat over lean rule. My first layer of paint is on, with no medium at all, now I'm itching to start with this luscious stuff. I'm using thickened oil, venice turps and turpentine. I don't have spike yet or Canada balsam so am starting with what I do have. It stinks though, I keep it covered all the time.

Jean
  Reply With Quote
Reply


Currently Active Users Viewing this Topic: 1 (0 members and 1 guests)
 

Posting Rules
You may not post new threads
You may not post replies
You may not post attachments
You may not edit your posts

BB code is On
Smilies are On
[IMG] code is Off
HTML code is Off

Forum Jump

Similar Topics
Thread Topic Starter Forum Replies Last Post
Safe, Effective Turpentine Substitutes Douglas Drenkow Safety Issues and Non-toxic materials 42 11-04-2009 06:11 PM
Linseed oil brand? Joan Breckwoldt Paints, Mediums, Brushes & Grounds 2 07-19-2004 11:35 PM
That Old Sinkin' Feeling Clive Fullagar Techniques, Tips, and Tools 14 02-07-2003 12:09 AM
A No-lead Maroger medium? Karin Wells Paints, Mediums, Brushes & Grounds 38 04-30-2002 11:48 PM
Linseed Oil? Pam Phillips Paints, Mediums, Brushes & Grounds 7 02-01-2002 03:35 AM

 

Make a Donation



Support the Forum by making a donation or ordering on Amazon through our search or book links..







All times are GMT -4. The time now is 04:54 PM.


Powered by vBulletin® Version 3.8.6
Copyright ©2000 - 2025, Jelsoft Enterprises Ltd.