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Virgil,
I was actually hoping that we could explore the possibility of how to understand the relativity between the limited paint values versus the wider scale of natural light.
I have often wondered why some painters are better to express light while others never manage to. The answer, it seems, is primarily in the value range.
So, if I see a value on an indoor motif and choose to use it on the painting, would I not simply mix the value/colour in question and compare it to the motif before I use it?
Would it make any difference if I compare it by eye on the palette, hold up the brush or painting knife or hold up any other device with a sample of the mixture, as long as the paint sample is seen in the same light?
When the motif is seen outdoors and the painter is also outdoors in the usually stronger light, the relative difference between paint and daylight values must be the same as indoors, I guess, and the possibility to compare directly between the motif and the paint sample is also the same.
I don
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