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Hi everyone! Carol and Alex, you are absolutely right that sometimes people desire to tear down other people who are successful, for whatever reason they can. It is an unfortunate part of human nature, exemplified by the old saying "The nail that sticks up will be hammered down." Perhaps as a generalization women tend to fear "the hammer" more than men: studies show that we tend to have more of a group mentality than the other sex does.
Although this is an interesting topic in itself, I think it may divert from the main topic under discussion of gender inequality in the arts. To reiterate: my only point in mentioning those rara avises helped by family connections or independent wealth, was to point out that they should not be used as false evidence that the very real inequality most women artists face is non-existent.
How many times have we had a Cecilia Beaux or a Mary Cassat held up to us as "Well, THOSE women were successful!" often with the hidden corollary "...so why aren't you?" Of course, these women were supremely talented, and should be honored and respected for that, as indeed they are. That point is not up for debate. But along with their massive talent and unquenchable drive, they were also gifted with large fortunes and family connections, enabling them to rise above many of the obstacles faced by the vast majority of women artists. They should not be used, as they sometimes are, as evidence that there is no gender inequality in the arts. They are, unfortunately, the exceptions that prove the rule.
Carol, it was absolutely fascinating to hear your gallery story! I wonder how many other people out there have experienced a similar scenario?
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