[Marina Dieul]

Here is what Harold Speed was writing about his own experience in 1917 :

"It was not until some time after having passed through the course of training in two of our chief schools of art that the author got the idea of what drawing really meant. What was taught was the faithful copying of a series of objects, beginning with the simplest forms, such as cubes, cones cylinders, &c. ( an excellent system to begin with at present in danger of some neglect) ,after which more complicated objects in plaster of Paris were attempted, and finally copies of the human head and figure posed in supended animation and supported by blocks, &c. In so far as this was accurately done, all this mechanical training of the head and hand was excellent; but it was not enough. And when with an eye trained to the closest mechanical accuracy the author visited the galleries of the Continent and studied the drawings of the old masters, it soon became apparent that either his or their ideas of drawing were all wrong. Very few drawings could be found sufficiently "like the model" to obtain the prize at either of the great schools he had attended."