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Old 01-12-2007, 02:36 PM   #10
Thomasin Dewhurst Thomasin Dewhurst is offline
'06 Artists Mag Finalist, '07 Artists Mag Finalist, ArtKudos Merit Award Winner '08
 
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Joined: Nov 2006
Location: U.K.
Posts: 732
Quote:
Originally Posted by Sharon Knettell
Each brush stroke should be an expression of wakefulness, of consciousness.
I've been thinking of this lately too. Someone told me to let my subconscious take over with my paintings, but I had to disagree. I think that really painting, like doing any form of art properly, comes from the beginnings of consciousness, a vision (with visual art) before it is explained by received symbols i.e words, pictures already in existance. I am not sure about the subconscious - is it only a Freudian idea or truly a human reality? And, in fact, it isn't really relevant at all because making a visual reality of a so-called subconscious idea takes it into the realm of consciousness. It's a bit like hypnotising yourself or drugging yourself, or even squinting to get a blurred and "more simple" idea of a subject. You're not going through the necessary mental struggle to achieve a real advancement.
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