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"It's actually not a glaze technique at all... I don't use glazes. If you see an original of mine, you will notice that it's thick paint."
Hi Tony
I tried to understand your procedure. In the John Smith's painting you can see very easily the sandy color under the grey blu sweater.
So how would you call this effect? not a glaze? what 's driping on the right side?turpentine? ....then ...It seems there is a color (as I saw in a photo of yours while you paint a woman ) that pervades all the face. And a light drawing made by burnt Sienna. I think this should be the first approach.
Adriano
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