Thank you Richard and everyone for the input. What should I be useing as a temporary retouch varnish when I whish to show the painting just after completion. Will not a painting medium, overpainted, act as a sort of retouch varnish?
With commissions, since you can't varnish for a year, what do you all do?
Could you describe the process or "oiling out" a painting. Will this technique solve the problem of dull colors and and uneven surface?
Thanks again.
PS. I still am wondering about the cold wax as a varnish. I'm going to try it soon. Has anyone else tried it?
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