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Originally Posted by Ilaria Rosselli Del Turco
it avoids a dangerous symmetry.
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I agree. And you've done a lovely job of the textures and colors of the outdoor setting.
Can you tell us a little about how you and the client settled on this arrangement? Did the client give you
carte blanche? Did you discuss the topic of who would get what eventually before you began the painting? I think many of us would be interested to hear how this came about.