|
Dear Mary, Enzie and Allan
All of your own take on palettes is very interesting and thanks for sharing.
Enzie and Mary, would you be so kind as to add photos of your palette as well as it is always interesting to see what others work with.
Allan, I like the idea of having a grey scale underneath as well for clarity when mixing, great photo your studio looks so neat.
I didn't realise that one's choice of underpainting was the choice for the colour under a palette, thanks Mary for highlighting this.
The paper trick sounds easier for clean up than the glass.
Enzie, I am intrigued with Marvin's palette and haven't quite understood his rows just yet. From previous threads, I remember it is based on cool, warm colours and differing values being prior mixed but I suppose without knowing how to use them on your work it will stay a bit of a mystery. I imagine you lay a warm/cool colour next to each other for illuminosity of colour. Am I close?
|