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Richard Budig · 03-23-2006, 10:27 PM

I see that back in Feb. I dashed off a note (as though I really knew it all) about how Zorn used an extremely limited palette (red, yellow, black and white).

Blush, blush, blush.

I just read an article in the American Artist Magazine telling how Zorn did use a somewhat limited palette, but not that limited. I was happy to hear this because some of his paintings had some colors that looked suspiciously like they may have contained blue.

And, recently, I just received a CD put out by Everett Raymone Kinstler. It's new, and it knocked my socks off. His palette is also very simple, and, to my eye, very effective.

It consists of alilzarin, cad red light, raw sienna, cad yellow light, cereulean and ultramarine blue, burnt umber, burnt sienna, sap green, and white.

He does all those outstanding painting with this simple set of colors.

I think it's worth the money. Made me change a few of my ways.

03-23-2006, 10:27 PM	#11
Richard Budig Juried Member Joined: Oct 2002 Location: Lincoln, NE Posts: 260	Kinstler's new CD, Zorn revisited I see that back in Feb. I dashed off a note (as though I really knew it all) about how Zorn used an extremely limited palette (red, yellow, black and white). Blush, blush, blush. I just read an article in the American Artist Magazine telling how Zorn did use a somewhat limited palette, but not that limited. I was happy to hear this because some of his paintings had some colors that looked suspiciously like they may have contained blue. And, recently, I just received a CD put out by Everett Raymone Kinstler. It's new, and it knocked my socks off. His palette is also very simple, and, to my eye, very effective. It consists of alilzarin, cad red light, raw sienna, cad yellow light, cereulean and ultramarine blue, burnt umber, burnt sienna, sap green, and white. He does all those outstanding painting with this simple set of colors. I think it's worth the money. Made me change a few of my ways.