[Tom Edgerton]

Thanks, y'all, for these good words.

Alexandra--The value plan is driven by mood, yes, but intentional, too, as I wanted a higher than usual background key to merge with the whites so they wouldn't take over. Also wanted a heavy shadow side to the head against the sky to balance all of the darker values around the middle of the canvas, hence this lighting. Glad you like it.

Chris--Thanks...will do ASAP.

Linda--A lot of the architecture there is pretty fortress-like, and relentlessly mid-century geometric...I had to gulp when I saw it. (But hey, I'm a mid-century guy!) Thanks so much for the words about capturing spirit as I know this is equally important to you in your work. I hope my striving for this overcomes any deficiencies in technique.

Cynthia--Thanks! This was an SOG contact.

Linda--It's 33x44, with a nine-inch head (to the chin).

Virginia--Thanks...This was the most complicated of the requested concepts. It's a specific place at the College, and there was a lot to juggle. It is an oil portrait. I'm not above using compositional elements to say " HEY, LOOK HERE!"

Kim--Thanks... I admire Rembrandt (!), but I usually end up liking my subjects, so the attitude finally reflects more Frans Hals, maybe? If only!

Best to all--TE