Portrait Artist Forum - View Single Post - Thomas Nash -- Portrait Academy Series, Norcross, GA -- What a great day!

Bobbi Baldwin · 10-25-2005, 08:46 PM

I am not sure about spraying the painting. Wouldn't it add a crystal like texture to the painting that could be disturbed by the next brush stroke, if the paint was even slightly thick?

Hi Tom ...
I like how the painting turned out and how much ease it was for you to carry through talking to 100 plus people. The idea of a fresh palette of color to see as you work and not restricting yourself to a limited palette keeps your paintings full of beautiful color and makes every response to color, that you have, show in your work. I feel that what you did was VERY successful.
I have used the Alkyd white in plein air and end up going back to the creaminess of the traditional oils because of the stikiness. But, you make it look like it worked with ease ... and you were so successful with it. I was impressed by the finished painting in so many ways. You caught the model in a way that showed him at his best for sure.
I was going over my notes from your demo, and noticed a note that I wrote to myself to ask you about the half tone color on the warm side of the face that you referred to as a color that almost feels like it should sit on the cool or shadowed side of the face. As I recall, that spot was right below his right eye in a plain that sits right at the meeting of the eye socket and the eye ball.
Would this color change be related mostly to the local color of the skin in this area or do you think it was a reflection from any area? And if it is a reflection, where would it have come from?
Thank you,
Bobbi

10-25-2005, 08:46 PM	#5
Bobbi Baldwin Associate Member FT Pro/Teacher 20 yrs. Joined: Jul 2001 Location: Atherton, CA Posts: 17	A very successful painting ... I am not sure about spraying the painting. Wouldn't it add a crystal like texture to the painting that could be disturbed by the next brush stroke, if the paint was even slightly thick? Hi Tom ... I like how the painting turned out and how much ease it was for you to carry through talking to 100 plus people. The idea of a fresh palette of color to see as you work and not restricting yourself to a limited palette keeps your paintings full of beautiful color and makes every response to color, that you have, show in your work. I feel that what you did was VERY successful. I have used the Alkyd white in plein air and end up going back to the creaminess of the traditional oils because of the stikiness. But, you make it look like it worked with ease ... and you were so successful with it. I was impressed by the finished painting in so many ways. You caught the model in a way that showed him at his best for sure. I was going over my notes from your demo, and noticed a note that I wrote to myself to ask you about the half tone color on the warm side of the face that you referred to as a color that almost feels like it should sit on the cool or shadowed side of the face. As I recall, that spot was right below his right eye in a plain that sits right at the meeting of the eye socket and the eye ball. Would this color change be related mostly to the local color of the skin in this area or do you think it was a reflection from any area? And if it is a reflection, where would it have come from? Thank you, Bobbi Attached Images __________________ Bobbi Baldwin www.BaldwinFineArt.com 1528 S. El Camino Real, Suite #204 916 488-3900 [email protected] Prof. Portrait painter since 1982 - Teaching since 1985 Last edited by Bobbi Baldwin; 10-25-2005 at 08:53 PM.