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The Whitaker has stated elsewhere on this Forum (if my brain's depleted ROM capacity is still returning accurate data) that he can pretty much use whatever paints are available to mix any pigment he needs. I've recently watched demonstrations by extraordinary artists who had reduced their palettes to black, white, and three primaries.
We've looked into this before on the Forum, long ago, but personalities got in the way of instruction. This is a good reminder that we need to consider the matter anew, to gather some insights into using available, limited pigments to mix an amazing array of color of the desired hues, intensities, and values. Once you start using black and white to create blues, or black and yellow to create greens, you're not only hooked, you're transformed.
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