[Jimmie Arroyo]

Thanks very much everyone, I really enjoyed myself this time. The suffering through this was completely different. Mostly involving bad lighting and planning.

I started by taking pictures in the model's home which had some outside light even though we tried our best covering it with the curtains. I used one main source of light on a stand from the left. The drawing and basic colors were laid down on paper using the Lumichrome lighting which is in the attic.

She came over to my house for a two hour sitting, strictly to work on flesh. I couldn't get the same lighting as the photo shoot, may be the space in the room, but it was close enough. Over my easel was a "color-corrective" light on a lamp, much darker than I was used to. No lighting over the pastels. During breaks, I stepped outside to check on the colors. After our session, went back upstairs and realized I needed to adjust the colors, badly.

Pressed for time, I had to take the painting and pastels with me to Virginia during vacation. The room lighting was poor enough, but got worse when I had to paint next to a table lamp with a basic 40W bulb at 4am. At least the lighting in the hallway was brighter, so I could step out there once in a while to see how I was doing.

Oops, gotta go, will finsh my thoughts later. Thanks again.