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Originally Posted by Richard Budig
. For example, Valesquez seems to have painted thinly his correction of the Water Seller's collar, so "thin painting" could be one of the culprits.
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I have seen that painting, as well as others by Velasquez, where corrections become visible. But that has nothing to do with the under paint, as Richard correctly states, but thin, faster drying paint upon impasto details, like a leg that had to be moved, or a gun that was too long.
When we plan our works carefully so that we don