05-27-2002, 09:31 AM
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#9
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FT Pro, Mem SOG,'08 Cert Excellence PSA, '02 Schroeder Portrait Award Copley Soc, '99 1st Place PSA, '98 Sp Recognition Washington Soc Portrait Artists, '97 1st Prize ASOPA, '97 Best Prtfolio ASOPA
Joined: Jun 2001
Location: Peterborough, NH
Posts: 1,114
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I see this painting as an opportunity to lose and find some edges. Also, I think that the light is even more subdued as the face and lower arm turn away from the source.
Shadows are a great design element and can be useful to integrate the background and foreground for a more unified painting. It is OK to "play around" with the lighting a little in order to make more interesting shapes/patterns of light and shadow.
The background is usually not a place where you need a sharp focus or "harsh line." Oftentimes, a "mere indication" is enough here.
I've taken some "radical liberties" with your painting to illustrate what I'm trying to say. I hope that it does not offend you that I did this, but pictures are so much easier than words here...
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