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Scott Bartner · 04-21-2005, 05:58 AM

The prodigal son returns and he's found religion, or should I say, its found him. At 135 cm by 85 cm, this portrait is by far the largest I've attempted. (Now I know how Sharon feels working on her huge pastels.)

The Bishop was painted on a "RealGesso" linen panel made for me by Max Howard. It's a fine surface to work on. I need to rest my hand on the surface I paint on which is why I prefer panels and linen panels. The linen surface was ideal for the thick, "painterly" handling I had in mind for this subject.

While working on the Bishop I was also painting a commissioned nude and needed to turn him against the wall because I felt his eyes on me (or perhaps the nude). I don't know how artists can work with others watching, real or imaginary.

I've attached a few close ups just to keep an eye on things...

04-21-2005, 05:58 AM	#1
Scott Bartner Juried Member FT Professional 10 yrs '05 Artists Mag Joined: Jul 2003 Location: The Netherlands Posts: 178	The Bis The prodigal son returns and he's found religion, or should I say, its found him. At 135 cm by 85 cm, this portrait is by far the largest I've attempted. (Now I know how Sharon feels working on her huge pastels.) The Bishop was painted on a "RealGesso" linen panel made for me by Max Howard. It's a fine surface to work on. I need to rest my hand on the surface I paint on which is why I prefer panels and linen panels. The linen surface was ideal for the thick, "painterly" handling I had in mind for this subject. While working on the Bishop I was also painting a commissioned nude and needed to turn him against the wall because I felt his eyes on me (or perhaps the nude). I don't know how artists can work with others watching, real or imaginary. I've attached a few close ups just to keep an eye on things... Attached Images __________________ www.bartner.com Last edited by Scott Bartner; 04-22-2005 at 11:25 AM.