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Michelle,
Thank you so much for your time in critiquing this painting. Your description of the problem areas made me think that you had been there looking over my shoulder watching me invent the skin tones, bouncing back and forth painting and repaiting the light and shadow sides, never getting it quite right, after somewhat breezing through the horse. I wish you had been there to say "wait, paint from a photo where you controlled the lighting of the subject". I'm learning.
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