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Hi Melanie,
I'd make two seperate brochures, one for portraits and one for landscapes. People can pick up whichever one appeals to them, or both.
I think there's a desire to 'pigeonhole' an artist, particularly when you're talking about commissioned work. A buyer wants to have a reasonable idea about the kind of style he/she can expect from you without any surprises. This is just my humble opinion here.
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