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Old 05-17-2004, 10:53 AM   #8
Linda Nelson Linda Nelson is offline
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Joined: Sep 2001
Location: St. Paul, MN
Posts: 386
To get the type on the painting I -

completed the painting without the type, then photographed the painting with my digital camera and downloaded the image into photoshop. I sized the image to fit the actual size of the painting. From there I wrote the type in sections ( each phrase separately) then arranged them around the painting for a general fit. Then I started experimenting with which type face I liked the best, as well as size and kerning, etc. I also played with the value to get an idea of how pronounced the type will be. Since I was working in the actual size of the painting, the type sizes were huge. When I had it all established, I printed out the copy in sections in simple black text on white paper. I used these to then arrange for real the type on the painting, taping the paper to the canvas. I used this step to rearrange the phrases on the canvas still, since the impression you get on the computer screen is different from when it's "for real". (If you do this, also keep in mind how much canvas will be covered by the eventual frame, as that will affect the type feeling too cramped or not next to it). Using carbon paper I traced the type onto the canvas. From there it's just a matter of painting the type as you want it, and in my case I varied each phrase in similar values or blue grays and brown grays, and as I mentioned, lightened or darkened the type to keep a value relation to the changing background the same.
It was pretty simple to do. Hope this helps!
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