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Old 03-04-2004, 10:19 AM   #9
Karin Wells Karin Wells is offline
FT Pro, Mem SOG,'08 Cert Excellence PSA, '02 Schroeder Portrait Award Copley Soc, '99 1st Place PSA, '98 Sp Recognition Washington Soc Portrait Artists, '97 1st Prize ASOPA, '97 Best Prtfolio ASOPA
 
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Joined: Jun 2001
Location: Peterborough, NH
Posts: 1,114
Quote:
Is the intent of this step to make the highlighted areas more opaque?
Yes. Light is always portrayed in thicker opaque paint. Shadows are thin.

Quote:
(So that I'd be exactly matching the color of each highlighted square (or part square) as it's painted?)
Yes. Because you can see through the glaze to the cloth below, it allows you to see the exact color and value you need so you don't have to guess.

I used a small flat square tipped sable brush to get the glaze stripes uniform. If you make the stripes slightly bigger, you won't have to paint so many of them.

It was a while ago that I painted this still life, but I remember that the entire checkered pattern probably took a total of 30 minutes of my time. The pattern only looks hard - but it really isn't. Painting the plain white cloth underneath was much more time consuming.

Sorry this is such a poor photo detail. I rescanned my crummy snapshot to show more detail. This is one of those paintings that I didn't bother to photograph adequately before I sold it. I regret that now.
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